front cover of Club Icarus
Club Icarus
Matt W. Miller
University of North Texas Press, 2013

front cover of Every Hour, Every Atom
Every Hour, Every Atom
A Collection of Walt Whitman's Early Notebooks and Fragments
Walt Whitman, Zachary Turpin and Matt Miller
University of Iowa Press, 2020

Some of the dimmest years in Walt Whitman’s life precede the advent of Leaves of Grass in 1855, when he was working as a jour­nalist and fiction writer. Starting around 1850, what he’d begun writing in his personal notebooks was far more enigmatic than anything he’d done before.

One of Whitman’s most secretive projects during this timeframe was a novel, Life and Adventures of Jack Engle; serialized anonymously in the spring of 1852, and rediscovered and properly published in 2017. The key to the novel’s later discovery were plot notes Whit­man had made in one of his private notebooks.

Whitman’s invaluable notebooks have been virtually inacces­sible to the public, until now. Maintaining the early notebooks’ wild, syncretic feel and sample illustrations of Whitman’s beauti­ful and unkempt pages, scholars Zachary Turpin and Matt Miller’s thorough transcriptions have made these notebooks available to all; sharing Whitman’s secret space for developing his poetry, his writing, his philosophy, and himself.

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front cover of The German Epic in the Cold War
The German Epic in the Cold War
Peter Weiss, Uwe Johnson, and Alexander Kluge
Matthew D. Miller
Northwestern University Press, 2018

Matthew Miller’s The German Epic in the Cold War explores the literary evolution of the modern epic in postwar German literature. Examining works by Peter Weiss, Uwe Johnson, and Alexander Kluge, it illustrates imaginative artistic responses in German fiction to the physical and ideological division of post–World War II Germany.

Miller analyzes three ambitious German-language epics from the second half of the twentieth century: Weiss’s Die Ästhetik des Widerstands (The Aesthetics of Resistance), Johnson’s Jahrestage (Anniversaries), and Kluge’s Chronik der Gefühle (Chronicle of Feelings). In them, he traces the epic’s unlikely reemergence after the catastrophes of World War II and the Shoah and its continuity across the historical watershed of 1989–91, defined by German unification and the dissolution of the Soviet Union.

Building on Franco Moretti’s codification of the literary form of the modern epic, Miller demonstrates the epic’s ability to understand the past; to come to terms with ethical, social, and political challenges in the second half of the twentieth century in German-speaking Europe and beyond; and to debate and envision possible futures.

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front cover of Mapping
Mapping "Race"
Critical Approaches to Health Disparities Research
Gómez, Laura E
Rutgers University Press, 2013
Researchers commonly ask subjects to self-identify their race from a menu of preestablished options. Yet if race is a multidimensional, multilevel social construction, this has profound methodological implications for the sciences and social sciences. Race must inform how we design large-scale data collection and how scientists utilize race in the context of specific research questions. This landmark collection argues for the recognition of those implications for research and suggests ways in which they may be integrated into future scientific endeavors. It concludes on a prescriptive note, providing an arsenal of multidisciplinary, conceptual, and methodological tools for studying race specifically within the context of health inequalities.

Contributors: John A. Garcia, Arline T. Geronimus, Laura E. Gómez, Joseph L. Graves Jr., Janet E. Helms, Derek Kenji Iwamoto, Jonathan Kahn, Jay S. Kaufman, Mai M. Kindaichi, Simon J. Craddock Lee, Nancy López, Ethan H. Mereish, Matthew Miller, Gabriel R. Sanchez, Aliya Saperstein, R. Burciaga Valdez, Vicki D. Ybarra


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